EMMA ANDIIEVSKA’S (UN)REPEATABLE POETRY, OR TWO COMPARATIVE SKETCHES
نویسندگان
چکیده
Emma Andiievska’s poetic manner is quite experimental in modern literary milieu due to dense metaphoric imagology, daring alliteration, specific subject’s representation, cosmogonic transformation motive, etc., so it hardly correlates with European art styles (modernism and postmodernism particular), albeit her early oeuvre (1950—1960) being consequently considered as surrealistic one. It also hard outline stylistic mental links between poetry Ukrainian or one since she has been moving creativity strictly towards originality. At the same time, poetess’ works can’t be excluded from world process — that reason for a comparative search. Some parallels have found (Bohdan Ihor Antonych) American (Emily Dickinson) poetry. Both authors could influence manner. There similar attitude reality own Emma’s Emily Dickinson’s one, caused by desire solitude priority of author’s subjectivity lyrical view. are some syntactic means poetics both female authors. The written 1950s—1960s resembles Bohdan Antonych’s poetical style, represented his collections “Salute Life”, “Three Rings” “The Green Gospel”. two phenomenological focus reflection, metaphors, acoustic mode connecting words an utterance. childlike features worldview oneiric elements narrative realize writing attributable Antonych Andiievska.
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ژورنال
عنوان ژورنال: ????? ? ???
سال: 2022
ISSN: ['2307-9401']
DOI: https://doi.org/10.33608/0236-1477.2022.01.38-51